About

upcoming and selected exhibitions

2012
Touch + Berlin (focuses on German & Dutch artists), Galerie oqbo, Berlin
Doppler Stop, Rotterdam, Amsterdam, Berlin and Zagreb
Supermarket 2012 IS Projects/SNO/PARISconcret, Stockholm
Paparazzi, Janet Kurnatowski Gallery, Brooklyn, NY

2011
VOID289, UNVOID curated by Naoshi Okura KOBE Biennale, Japan
A Romance of Many Dimensions, Brooklyn Artist's Gym, Brooklyn, NY
Saturation Point, International Survey of Reductive Art, London, England
Gifting Abstraction Soho20 Chelsea Gallery, NY, curated by Mariángeles Soto-Díaz
Guest Invitational Clary Stolte Galerie SUGARMOUNTAIN#2 Galerie van den Berge, Goes, NL
Deep Black, Billy Gruner, Candida Alvarez, Brent Hallard, Sydney Non-Objective, Sydney, Australia
Chase the Tear, curated by Timothy Buckwalter, NIAD, Richmond, East Bay, CA
Recent movements in non-objective art, Reuten Galerie Amsterdam
Back to Basics, Ist International Festive of Non-Objective Art, Pont de Claix, Grenoble, France, curated by Roland Orepuk
Plane Speaking, McKenzie Fine Art, curated by Valerie McKenzie, NY, NY

2010
Informal Relations, Indy MOCA, Indianapolis, curated by Scott Grow
Hydrography, RC de Ruimte in IJmuiden, curated by Iemke van Dijk and Henriëtte van ’t Hoog
Touch + Paris, ParisConcret, 16 International artists touch, Paris, curated by Brent Hallard
IS Projects 25 x 25, Sydney NonObjective, Sydney
Fuzzy Logic, Thompson Gallery, The Cambridge School of Weston

2009
Editions in Deutschland, Bonn GKG Bonn
Trans, Meridian Gallery, San Francisco, CA
Kosmos, Is Projects, Lieden, NL
Transformal, Pharmaka, Los Angeles, CA
Roth, Hallard, van 't Hoog, parisCONCRET, Paris
Pour faire simple, parisCONCRET, Paris

2008
The Space Between, San Jose Institute of Contemporary Art, San Jose, CA
Touch, Bus Dori, Tokyo

2007
Trans - Abstraction, Weltraum, Marienplatz Munich
U-shape, Minatomirai, Yokohama
Solid Space, Storefront, Setagaya, Tokyo
New Wall Drawings, Bus-Dori, Tokyo

For details, a CV, and a more orthodox statement please contact the artist by mail.